As new technologies increasingly subvert our sense of time and place, my practice investigates the idea that we are living in a dislocated era where knowledge and experience are remembered and envisioned at the same time.

My work stems from my own experiences and those of others I encounter through objects such as postcards and photographs. I regard these everyday items that outlive us as ‘atemporal artefacts’, mementos that can trigger memories of our own lost futures.

Excavating the terrain between electronic audio and lens-based visual art, I explore processes and materials that suspend and preserve a moment, expanding fragments of time into territories that telescope the past and the present.