As new technologies increasingly subvert our sense of time and place, my practice investigates the idea that we are living in a dislocated era where knowledge and experience are remembered and envisioned at the same time. Excavating the ground between electronically sculpted audio and lens-based visual art I develop projects that investigate this concept.

I am absorbed by popular culture, historical and contemporary, local and global, personal and collective. My work stems from my own experiences and those of others I discover through collecting secondhand objects such as postcards and photographs. I regard these everyday objects that outlive us as ‘atemporal artefacts’, mementos that can trigger memories of our own lost futures.

My process fluctuates between the use of analogue and digital technologies and is frequently characterised by foregrounding accidental materialities of each such as dust, scratches, noise or glitches. I exploit the attributes of photography that suspend and preserve a moment and expand these fragments of time into a territory that telescopes the past and the present.